Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky. Related Paintings of James Ensor :. | Seashells | Skeleton Looking at Chinoiseries | The Vile Vivisectors | The Assassination | Self-Portrait with Masks | Related Artists:
James Jebusa Shannon(1862 - 1923), Anglo-American artist, was born in Auburn, New York, and at the age of eight was taken by his parents to Canada.
When he was sixteen, he went to England, where he studied at South Kensington, and after three years won the gold medal for figure painting. His portrait of the Hon. Horatia Stopford , one of the queen's maids of honour, attracted attention at the Royal Academy in 1881, and in 1887 his portrait of Henry Vigne in hunting costume was one of the successes of the exhibition, subsequently securing medals for the artist at Paris, Berlin, and Vienna.
He soon became one of the leading portrait painters in London. He was one of the first members of the New English Art Club, a founder member of the Royal Society of Portrait Painters and in 1897 was elected an associate of the Royal Academy, and RA in 1909. His picture, "The Flower Girl", was bought in 1901 for the National Gallery of British Art.
Michiel van Musscherpainted Self-portrait. in 1685
olof w. nilsson1868-1956
född 12 oktober 1868 Norra Råda, Värmlands län, död 23 februari 1956, svensk konstnär, främst verksam i Karlstad, i Göteborgsregionen och i Lappland.
Nilsson deltog i det inre utsmyckandet av ett antal prestigefulla byggnader i Göteborg men gjorde sig även bekant som skicklig oljemålare med motiv hämtade såväl från Värmland och västgötabygden som från Lappland. Han är i dag främst ihågkommen som "fjällmålare". Även "isiga" landskap.